![]() It’s important when writing a sidekick that they are not simply an add-on to your main character. ![]() The Sidekick Character As Their Own Person So think carefully about whether your protagonist needs someone to play off of or if they work better alone. The sidekick character must be something that adds to the story itself and not just smooths its execution. This could be by helping them or acting as their foil. They are also there to elevate the protagonist. Of course, it’s not justified to have a sidekick purely asking questions and rambling off exposition. For example, Dr John Watson brings the audience into Sherlock Holmes’ world and questions all his deductions on the audience’s behalf.This allows them to be a link between the audience and the main character as they supply information that allows the audience to understand the nuances of the protagonist and the plot. This way, there is no need for monologues or internal dialogue. ![]() ![]() The key question to first ask yourself is does your story need a sidekick? Make sure it’s appropriate, justified, and clearly adds something to your film.Ī common reason to have a sidekick is to have someone for the protagonist to voice their thoughts to. Either way, they are easily identifiable through their relationship with a particular character. They can be another protagonist or a supporting character.
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